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The Transmutations of Supposed Angels: or beings that were once girls
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Aggressive and atmospheric, edgy and ethereal, dense and dimensional, tactile and textural: another hour of instrumental rock music.
Clocking in at over 67 minutes, Sup_Ang, (as the file names abbreviate) represents the culmination of three year's worth of writing, rewriting, arranging, and performing. Produced by bassist Gustaf Fjelstrom and recorded primarily at his personal studio, Mercurial Labs, the album reflects genuinely the aura of Indifference. Guitars weave effortlessly between the harsh and the soothing, bass guitars guard from below, stabbing, growling, and undulating amidst the precise, precarious, and furious placement of drum after cymbal after drum.
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Maximum Indifference: Maximum Indifference
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Maximum Indifference is: Aggressive and atmospheric. Edgy and Ethereal. Dense and dimensional. Tactile and textural. Maximum Indifference works in contrasts, in a conscious and sincere effort to obscure all lines of communication, to confound and befuddle, to perplex and obfuscate. |
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